Liquet Wall

2019


Assignment 4_chu-hsuan.kuang_attempt_2019-04-24-02-35-37_56786301_2832980940060340_5542171969933279232_n.jpg

Paper folding gives a very direct and intuitive perception and comprehension of geometry and rigidity of folded plate structures. By folding and manipulating paper, hands and eyes elaborate in a dialog a spontaneous understanding for the potential of such forms. A series of folded paper models explore the formal and spatial potential of this technique. The goal of this first part of our project was to identify some interesting folding patterns that have potential to be transposed to folded plate structure. The second part of the design aims for an analytic understanding of the chosen geometries which results in their generation by computer aided design. Thereby the generation method of the geometry should be close to architectural design processes and use devices as section and plan to define the folded plate structure. The so defined method allows creating rapidly a great number of various forms that can adapt to specific project conditions. Finally, the building of models and prototypes transposes the geometries to construction with Toughened glass (assumption).

Through the study of origami, an interdisciplinary approach investigates the mathematical, architectural, and structural aspects of folded structures, which help to understand how paper folding can be used as a medium to solve structural and aesthetic problems. In this context, origami presents an interface to gain cognitive experience on form finding, and acts as an effective tool for further morphological explorations in the architectural design process. Origami has proved to be a rich source of inspiration and has found its way into a wide range of design applications. It has even led to the discovery of new forms and methods of construction.

For all the effort, skill and time it takes to produce a typical work of origami, the result can be ephemeral, limited by the delicate nature of paper. But apply the same techniques and visuals to architecture. The intriguing geometric and mathematical qualities of this ancient Japanese art take on a sense of awe-inspiring scale and permanence.

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Modular origami consists of putting a number of identical pieces together to form a complete model. Normally the individual pieces are simple but the final assembly may be tricky.

This structure is a ceiling system that deploys the principles of rigid origami to transform the light environment through dynamic spatial, material technologies. Our goal is to create a system that can adjust itself to the external light environment. In a strong light environment, the expanded system pro- videos enough area for indoor users to shade the sun. In a weak light source environment, the shrinking system allows light to enter the room. This system not only has the meaning of shading, but also has the meaning of aesthetics. When people look up at the ceiling, they can find different mountains and valleys formed by origami. In the future, this system is not just a system of shading. Due to different purposes of use, this system can be used to change the purpose of the surface by adjusting the material of the surface. It can be part of a ventilation system or a rain cover system.

Date: Spring 2019

Location: Pullman, WA

Project Partners: Ray Chu, Sun Hsuan, and Xiaonan Kuang

Photo Credit: Ray Chu, Sun Hsuan, and Xiaonan Kuang